After 1980

There is no last manifesto. After 1980 the story splits into performance and the body, installation and land, the street, the screen, and a thousand local modernities.

This is one room with several doors — not because these practices are the same, but because a honest Hub should not fake the depth of a Monet room on day one.

If the earlier rooms taught you how to look, this room asks you to keep looking when the ‘painting’ is a walk, a ruin, a wall, or a file.